The Resource The untold story of the talking book, Matthew Rubery, (sound recording)
The untold story of the talking book, Matthew Rubery, (sound recording)
Resource Information
The item The untold story of the talking book, Matthew Rubery, (sound recording) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in St. Catharines Public Library.This item is available to borrow from 1 library branch.
Resource Information
The item The untold story of the talking book, Matthew Rubery, (sound recording) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in St. Catharines Public Library.
This item is available to borrow from 1 library branch.
- Summary
- "This work is the first history of recorded literature since Thomas Edison's invention of the phonograph in 1877. It traces the tradition from phonographic books made on wax cylinders to talking books made for blinded soldiers returning from the First World War and, much later, the commercial audiobooks heard today. Addressing the vexed relationship between orality and print, the author shows how talking books developed both as a way of reproducing printed books and as a way of overcoming their limitations. In a wide-ranging overview, he charts the talking book's evolution across numerous media (records, tapes, discs, digital files), its reception by a bemused public, and impassioned disputes over its legitimacy. Testimonials drawn from the archives of charities for war-blinded veterans and pioneering audio publishers including Caedmon, Books on Tape, and Audible vividly recreate how audiences over the past century have responded to literature read out loud. This book poses a series of conceptual questions too: What exactly is the relationship between spoken and printed texts? How does the experience of listening to books compare to that of reading them? What influence does a book's narrator have over its reception? What methods of close listening are appropriate to such narratives? What new formal possibilities are opened up by sound recording? Sound technology turns out to be every bit as important as screens to the book's ongoing transformation. In sum, this book breaks from convention by treating audiobooks as a distinctive art form that has profoundly influenced the way we read."--
- Language
- eng
- Edition
- Unabridged.
- Extent
- 9 audio discs (11.5 hours)
- Note
- Compact disc
- Contents
-
- Introduction: what is the history of audiobooks?
- Part I. The phonographic library
- Canned literature
- Part II. Blindness, disability, and talking book records
- A talking book in every corner of dark-land
- How to read a talking book
- A free press for the blind
- From shell shock to shellac
- Unrecordable
- Part III. Audiobooks on and off the road
- Caedmon's third dimension
- Tapeworms
- Audio revolution
- Afterword: speed listening
- Isbn
- 9781504743884
- Label
- The untold story of the talking book
- Title
- The untold story of the talking book
- Statement of responsibility
- Matthew Rubery
- Language
- eng
- Summary
- "This work is the first history of recorded literature since Thomas Edison's invention of the phonograph in 1877. It traces the tradition from phonographic books made on wax cylinders to talking books made for blinded soldiers returning from the First World War and, much later, the commercial audiobooks heard today. Addressing the vexed relationship between orality and print, the author shows how talking books developed both as a way of reproducing printed books and as a way of overcoming their limitations. In a wide-ranging overview, he charts the talking book's evolution across numerous media (records, tapes, discs, digital files), its reception by a bemused public, and impassioned disputes over its legitimacy. Testimonials drawn from the archives of charities for war-blinded veterans and pioneering audio publishers including Caedmon, Books on Tape, and Audible vividly recreate how audiences over the past century have responded to literature read out loud. This book poses a series of conceptual questions too: What exactly is the relationship between spoken and printed texts? How does the experience of listening to books compare to that of reading them? What influence does a book's narrator have over its reception? What methods of close listening are appropriate to such narratives? What new formal possibilities are opened up by sound recording? Sound technology turns out to be every bit as important as screens to the book's ongoing transformation. In sum, this book breaks from convention by treating audiobooks as a distinctive art form that has profoundly influenced the way we read."--
- Assigning source
- Provided by publisher
- Cataloging source
- lbi
- http://library.link/vocab/creatorName
- Rubery, Matthew
- Dewey number
- 002.09
- Form of composition
- not applicable
- Format of music
- not applicable
- PerformerNote
- Read by Jim Denison
- http://library.link/vocab/relatedWorkOrContributorName
-
- Denison, Jim.
- Blackstone Audio, Inc
- http://library.link/vocab/subjectName
-
- Audiobooks
- Talking books
- Literature and technology
- Blind
- People with visual disabilities
- Label
- The untold story of the talking book, Matthew Rubery, (sound recording)
- Note
- Compact disc
- Capture and storage technique
- digital storage
- Carrier category
- audio disc
- Carrier category code
-
- sd
- Carrier MARC source
- rdacarrier
- Configuration of playback channels
- stereophonic
- Content category
- spoken word
- Content type code
-
- spw
- Content type MARC source
- rdacontent
- Contents
- Introduction: what is the history of audiobooks? -- Part I. The phonographic library -- Canned literature -- Part II. Blindness, disability, and talking book records -- A talking book in every corner of dark-land -- How to read a talking book -- A free press for the blind -- From shell shock to shellac -- Unrecordable -- Part III. Audiobooks on and off the road -- Caedmon's third dimension -- Tapeworms -- Audio revolution -- Afterword: speed listening
- Dimensions
- 4 3/4 inches
- Dimensions
- 4 3/4 in. or 12 cm. diameter
- Edition
- Unabridged.
- Extent
- 9 audio discs (11.5 hours)
- Groove width / pitch
- not applicable
- Isbn
- 9781504743884
- Kind of cutting
- not applicable
- Kind of disc cylinder or tape
- mass produced
- Kind of material
- plastic with metal
- Media category
- audio
- Media MARC source
- rdamedia
- Media type code
-
- s
- Other physical details
- digital
- Publisher number
- bzb5
- Special playback characteristics
- digital recording
- Specific material designation
- sound disc
- Speed
- 1.4m. per second (discs)
- System control number
-
- pr01237984
- 853744
- Tape configuration
- not applicable
- Tape width
- not applicable
- Label
- The untold story of the talking book, Matthew Rubery, (sound recording)
- Note
- Compact disc
- Capture and storage technique
- digital storage
- Carrier category
- audio disc
- Carrier category code
-
- sd
- Carrier MARC source
- rdacarrier
- Configuration of playback channels
- stereophonic
- Content category
- spoken word
- Content type code
-
- spw
- Content type MARC source
- rdacontent
- Contents
- Introduction: what is the history of audiobooks? -- Part I. The phonographic library -- Canned literature -- Part II. Blindness, disability, and talking book records -- A talking book in every corner of dark-land -- How to read a talking book -- A free press for the blind -- From shell shock to shellac -- Unrecordable -- Part III. Audiobooks on and off the road -- Caedmon's third dimension -- Tapeworms -- Audio revolution -- Afterword: speed listening
- Dimensions
- 4 3/4 inches
- Dimensions
- 4 3/4 in. or 12 cm. diameter
- Edition
- Unabridged.
- Extent
- 9 audio discs (11.5 hours)
- Groove width / pitch
- not applicable
- Isbn
- 9781504743884
- Kind of cutting
- not applicable
- Kind of disc cylinder or tape
- mass produced
- Kind of material
- plastic with metal
- Media category
- audio
- Media MARC source
- rdamedia
- Media type code
-
- s
- Other physical details
- digital
- Publisher number
- bzb5
- Special playback characteristics
- digital recording
- Specific material designation
- sound disc
- Speed
- 1.4m. per second (discs)
- System control number
-
- pr01237984
- 853744
- Tape configuration
- not applicable
- Tape width
- not applicable
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.stcatharines.library.on.ca/portal/The-untold-story-of-the-talking-book-Matthew/3SgXibRZYeM/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.stcatharines.library.on.ca/portal/The-untold-story-of-the-talking-book-Matthew/3SgXibRZYeM/">The untold story of the talking book, Matthew Rubery, (sound recording)</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.stcatharines.library.on.ca/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.stcatharines.library.on.ca/">St. Catharines Public Library</a></span></span></span></span></div>